Y = round (X,N) rounds to N digits: N 0: round to N digits to the right of the decimal point. N = 0: round to the nearest integer. N round to N digits to the left of the decimal point. Y = round (X,N,type) specifies the type of rounding. Specify 'significant' to round to N significant digits (counted from the leftmost digit).
Feb 20, 2021 Photoline 21 50 dollars. The pyramid builders often reused old cultural material, possibly out of expedience or to make a conscious connection between their pharaoh and his predecessors. Beneath the 3rd Dynasty pyramid of pharaoh Djoser, early explorers found more than 40,000 stone vessels.
Post processing in PhotoLine 21.50, DxO Nik Color Efex Pro 4 (Detail Extractor: Extreme Details) and Skylum Tonality CK: Film Emulation - Kodak Tri-X 400TX Pro). Olympus E-M10MarkII, OLYMPUS M.8mm F1.8 Pro Fisheye, 8mm, f8, 1/25 sec, 400 iso. PhotoLine 21.50 Multilingual 26.8 Mb. PhotoLine is a full featured image editor with support for text, vector and image layers. In addition to the standard editing features, it supports 16 bits per channel, CMYK and Lab as well as color management with ICC profiles. The include image browser supports IPTC and EXIF data display and editing, batch. Raleigh County Memorial Airport (BKW) is a smaller airport based in Beckley, United States. You can fly to 2 destinations with 1 airline in scheduled passenger traffic. The route with the most departures is the route to Charlotte (CLT) with an average of 12 flights from Raleigh County Memorial Airport every week which is 50% of.
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#Donnerstagsmonochrom
This is a re-edit of a capture that I've uploaded to Flickr years ago (you can find it in the first comment), taken at the same trip to the Baltic sea island Usedom as my recently posted 'White Like Snow' photo. Back then, I wasn't happy with the crop, and I also didn't really like the colour version, but still felt unsure of black and white. So I decided to do a new version in b&w and crop it as 1:1 format; I think the square format is a little more 'direct', and it draws the view right to and along the wavy sculpture, 'ready to climb up and ride the wave', so to say ;)
For the final new version I did some basic processing in DXO PhotoLab 4, then took the image into HDR Efex (the result looked nice even in colour) and then used a film simulation from the DXO FilmPack, the Ilford Pan F Plus 50. I've also done two more b&w edits in Silver Efex, but liked neither. And who knows, maybe one day I'll do another colour edit of this - or I'll find time to visit Usedom again and take an all new photo ;)
Wellenbewegung #2
Dies ist eine Neuinterpretation eines Fotos, das ich in meinen Flickr-Anfangstagen vor Jahren hochgeladen hatte. Mit dem 'Original', das Ihr im ersten Kommentar finden könnt, war ich aber nie so richtig zufrieden, mochte weder den Bildschnitt so richtig noch die Farbe, hatte mich damals aber noch nur selten an Schwarzweiß herangetraut. Und da ich kürzlich ja ein 'neues' (sprich noch nie gezeigtes) Foto von meinem 2013er Kurzurlaub auf Usedom hochgeladen hatte ('White Like Snow'), dachte ich, jetzt sei eine gute Gelegenheit, Euch mal diese Neubearbeitung zu zeigen. Ich habe mich hier nicht nur für SW, sondern auch für das 1:1-Format entschieden, weil die begehbare Wellenskulptur, die auf dem Weg von Ahlbeck nach Heringsdorf zu finden ist, ja die Hauptdarstellerin ist - und ich finde, dass der Bildschnitt hier 'unmittelbarer' wirkt, so, als könnte man sogleich auf die Skulptur klettern und auf der Welle reiten ;)
Entwickelt in DXO PhotoLab 4 (Grundlegendes); danach habe ich verschiedene SW-Ansätze, u.a. auch in Silver Efex, ausprobiert. Diese finale Version habe ich aber nach DXO PL4 nur noch in HDR Efex bearbeitet (da sah sogar die Farbe schön aus) und anschließend im DXO FilmPack mit der Filmsimulation Ilford Pan F Plus 50 (mit kleinen Anpassungen) versehen. Und den breiten weißen Rahmen fand ich auch ganz schick :)
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Faux black and white film rendering of path and shade from oak trees at the Lady Bird Johnson Wildflower Center, Austin, Texas. Raw development in DxO PhotoLab 4. Post processing in PhotoLine and Tonality CK (Film Emulsion: Ilford Pan F Plus 50). I really like this old Macphun (now Skylum) plugin, which has not been supported for many years. PhotoLine is the only editor I have found which will still run it. “You don’t make a photograph just with a camera” — Ansel Adams. (I blog about photography and other topics at flightfromcallahancounty.blogspot.com/.)
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Salem, Oregon. 2012.
Nikon F65. Ilford Pan F Plus 50 35mm B&W film.
Photoline 21 50 Round Vinyl
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Sheryl Lee & Ray Wise signing items for fans on the picnic day.
I had a brief discussion with Ray about Bram Stoker's Dracula, as I had read he had a first edition, so I asked him about it.
I can't remember what he said, but we both love the book. I remember telling him I think its still quite creepy in parts.
I had also asked Sheryl to help me with a double exposure experiment which she was happy to do. Due to the long line, I had to be quick so I couldn't do what I had in mind with any real precision, so it didn't turn out perfect, but I'm not complaining. I got to 'direct' Sheryl Lee.
Photographed with a Contax T using Ilford Pan-F 50+ developed in Beerenol (Rainier Beer).
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...but I want to keep surfing Daddy!
I shared this picture before, you will see it in my galery, but these days I'm revisiting my old pictures and sometimes I re-processed them. This is one of them. I hope you will enjoy it.
Olympus OM-1n + Zuiko OM 21mm 3.5
Ilford PanF Plus 50
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Faux black and white film look of a scene at the north end of Lake Tahoe years before smoke from the recent South Lake Tahoe area fire choked the area. “You don’t make a photograph just with a camera” — Ansel Adams.
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瑞士卢塞恩.
Luzern, Switzerland.
July 2020.
Leica M2
Leitz Summaron 35mm f/2.8
Ilford Pan F Plus 50
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Hasselblad 500CM
Zeiss Sonnar 4/150
Ilford PanF+
Ilfotec DD-X 1:4
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Salem, 2012.
Nikon F65. Ilford Pan F Plus 50 35mm B&W film.
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Currituck Sports on US 158 in Barco, NC on the way to the Outer Banks of North Carolina. - Camera = Nikon F75 / N75 - Film = Ilford PAN F PLUS 50 B&W - Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
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Hasselblad 500 c/m, Ilford Pan F Plus 50, 120, Epson Perfektion V850 Pro
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Twedes Cafe in North Bend in 2011. Famously used as The Double R diner in Twin Peaks. It is different now, after the new series in 2017.
Nikon F65. Ilford Pan F Plus 50 35mm B&W film.
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The life cycle of this wildflower was already complete, but the recent four-day freeze sealed its demise. Lady Bird Johnson Wildflower Center. Faux black and white film look. Raw development and processing in Capture One 21 Pro. Post processing in PhotoLine and Exposure X6 (B&W Films: Ilford PanF Plus 50). “You don’t make a photograph just with a camera” — Ansel Adams.
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Tower of London in 2017.
Nikon F4. AF Nikkor 50mm F1.4D lens. Ilford Pan F Plus 50 35mm B&W film.
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Faux black and white film look of a Chipping sparrow on a bird feeder. This bird is a year-round resident of Travis County in Central Texas. Raw development in DxO PhotoLab 4 Elite. Post processing in Affinity Photo Beta, Topaz Studio 2 and Exposure X6 (B&W Films: Ilford PanF Plus 5). “You don’t make a photograph just with a camera” — Ansel Adams.
Horseman VH 65mm f/7 at f/16 1/15 sec filtro giallo Ilford Pan F plus 50 Adox Rodinal 1+25 6' 21° SilverFast 8 AI Studio Adobe Photoshop Elements 2 (Giurassico)
Procedura di Scatto:
Cavalletto Manfrotto: gambe completamente estese, bloccate - colonna centrale completamente abbassata, per avere il massimo della stabilità - testa a tre vie perfettamente in bolla, su tutti gli assi: anche ruotando il piano orizzontale, questo deve sempre essere in bolla
Corpo macchina montato sul cavalletto
Obiettivo montato, il grandangolare 65mm
Dorso con vetro smerigliato montato
Telo scuro da mettersi sulla testa per vedere qualcosa di più nell'immagine rovesciata
Aprire la piastra anteriore, a 90°
Photoline 21 50 Rounded
Avanzare l'obiettivo fin contro l'arresto dell'infinito
Allineare il riferimento del grandangolare al puntino bianco sulla standarta anteriore
Togliere tappo obiettivo
Armare l'otturatore
Aprire l'otturatore
Aprire il diaframma
Non mettere ancora il paraluce o il raccordo portafiltri 40,5 -> 55 altrimenti intralciano quando si opera sul frontale dell'obiettivo
Sul dorso aprire lo schermo paraluce per vedere la scena inquadrata attraverso lo schermo di messa a fuoco
Scegliere tra l'inquadratura orizzontale e quella verticale
Mettere a fuoco, agendo sulle rotelline che fanno scorrere avanti e indietro la standarta anteriore
Utilizzare il Loupe 6x per ingrandire il particolare dell'immagine che vogliamo a fuoco, direttamente appoggiando lo strumento sul vetro smerigliato
Bloccare la messa a fuoco
Con l'esposimetro esterno misurare in luce incidente (orientando la fotocellula verso la macchina fotografica) e in luce riflessa (con il mirino spot, puntandolo sulle varie zone del soggetto; oppure ricorrere al cartoncino grigio medio kodak 18%)
Prima di impostare tempi e diaframmi... nell'ordine:
Chiudere l'otturatore
Fare scattare l'otturatore (tanto il dorso con la pellicola non è ancora montato)
Impostare il tempo di scatto sulla ghiera dei tempi (in alto)
IMPORTANTE: i tempi si possono impostare solo se l'otturatore non è armato, pena il rischio di danneggiamento dell'otturatore)
Impostare il diaframma sulla ghiera dei diaframmi (in basso) tenendo presente che i diaframmi di lavoro vanno da f/11 a f/32
montare il paraluce sull'obiettivo, ed eventualmente il filtro adatto (o la ghiera di raccordo da 40,5 a 55 mm, più il filtro + il paraluce 55)
21:50 Military Time
Togliere il dorso con lo schermo di messa a fuoco
Montare il dorso porta pellicola, con la stessa inclinazione (verticale o orizzontale) che avevamo scelto in precedenza per la nostra inquadratura
Armare l'otturatore
Con la leva di carica del dorso facciamo avanzare la pellicola successiva (sempre, dopo ogni scatto)
Togliere il volet dal dorso porta pellicola
Scattare l'otturatore con l'autoscatto o con il cavetto di scatto a distanza
Molto più comodo dello smartphone, no?
POI. ..
bisogna sviluppare la pellicola, scegliendo il rivelatore adatto,
e fare la scansione,
e sviluppare il negativo Raw con un programma che si conosce bene e che dà i risultati attesi
e poi magari stampare l'immagine in camera chiara con una stampante all'altezza, dopo aver applicato le curve di livello giuste...
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Magnavox sign in Wenatchee, Washington.
Photographed with a Contax T using Ilford Pan-F 50+ developed in Beerenol (Rainier Beer).
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Horseman VH 65mm f/7 at f/22 1/15 sec Ilford Pan F plus 50 Adox Rodinal 1+25 6' 21° SilverFast 8 AI Studio Adobe Photoshop Elements 2
Devo imparare a basculare l'obiettivo per ottenere tutto nitido: qui è a fuoco il campanile ma le piante in primo piano e le montagne sullo sfondo potrebbero essere più nitide...
In quel posto (pericolosissimo, su un ponte, all'uscita da una galleria) sono già transitato un centinaio di volte, ma non ho mai avuto il coraggio di fermarmi e parcheggiare su un minuscolo spiazzo che si affaccia su questo scenario... mi ripromettevo da sempre di fotografare quello che si vede di Saint Paul sur Ubaye uscendo dalla galleria: questa volta ho trovato l'occasione giusta, senza traffico, ma con una bella giornata di sole... la fortuna aiuta gli audaci!
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Street sign for Via Amarcord (1973) in Rimini. This street is named after the Federico Fellini film. It is my favourite of his tied with La Strada.
Nikon F4. Ilford Pan F Plus 50 35mm B&W film.
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Portland.
Nikon F65. Ilford Pan F Plus 50 35mm B&W film.
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This street in Rimini is named after the Fellini film Orchestra Rehearsal.
Taken in 2017, I hadn't seen it when I took these shots, but now I have & I liked it very much.
Nikon F4. Ilford Pan F Plus 50 35mm B&W film.
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Horseman VH 150mm f/5,6 at f/32 1/15 sec filtro giallo Ilford Pan F plus 50 Adox Rodinal 1+25 6' 21° SilverFast 8 AI Studio Adobe Photoshop Elements 2